Thursday, February 20, 2014

Book Review: "The Fellowship of the Ring" by J. R. R. Tolkien



          How do you write a book review about a classic work of fiction that has stood the test of time for as long as The Fellowship of the Ring? J. R. R. Tolkien’s novel is undeniably a masterpiece. The whole trilogy and accompanying texts create a mythical vision of our world that is intriguing to first-time and returning readers.
          This is the third time that I have read the Fellowship, and the first in about six or seven years. I first read Tolkien’s works when Peter Jackson’s film trilogy brought the epic adventure to life in the early 2000s. I was in middle school then, and began reading the books after seeing The Fellowship of the Ring in theaters. I remember thinking that the first book was a bit different from the movies, and that thought has stuck with me, even as I have forgotten some of the things that made the books and films so different. I revisited the Fellowship in high school, and wrote a term paper about Tolkien’s creation of a modern day myth, but I don’t recall much from that reading other than my singular focus on developing my thesis. Then, after watching the films (extended versions of course) a few weeks ago, I decided to begin reading the books again.
          I am happy to say that, while Jackson’s interpretation of the novels is brilliant, and his movies excellently integrate digital effects with costume and make up design to create visceral and realistic representations of Tolkien’s fantasy world—setting a mark that he falls short of in his adaptations of The Hobbit—the book’s still hold the greater treasures. Tolkien, after all, is the master storyteller, and Jackson is the journeyman creating his own interpretation. Most of the best lines from the Fellowship film were taken almost directly from Tolkien’s work, though Jackson did tweak them somewhat to make them work in the confines of his film. For instance, when Frodo declares to Gandalf that he wished the ring had never come to him, that it was not his burden to bear, and that he wished that it was not his generation that had to bear the burdens of war, Gandalf replies, “So do all who live to see such times. But that is not for them to decide. All we have to decide is what to do with the time that is given us.” The scene is taken almost verbatim from the books. However, other scenes, such as when Pippin declares that he too is going to join the fellowship, saying that you need people of intelligence on quests, and Merry says “Well that rules you out,” are slightly altered. Merry and Pippin do not attend the Council of Elrond in the book, and the exchange takes place later, in Bilbo’s room in Rivendell.
          The most major differences between the books and the films involve characterization. For instance, in the films, Aragorn is a portrayed as a natural but reluctant leader, who hesitates to take the throne that is his by rights. In the books, he is poised to assume his role as king, and Frodo notes several times that Aragorn’s appearance and bearing are regal. Furthermore, Aragorn fully embraces that he is the heir of Isildur, and it is because of this that he feels more compelled to help Frodo destroy the ring. Other characters get somewhat unfortunate changes foisted upon them in films, like Gimli. In the films, it is Gimli that urges the company to take the route through the mines of Moria after they are thwarted in the mountain pass at Caradhras. In the books, however, Gimli is well aware that the dwarfs who went to reestablish the ancient dwarf kingdom in Moria are likely dead. It is Gandalf who urges the company to consider the “journey in the dark.”
          If I had to say anything negative for the book version of the Fellowship it would only be that some might not be able to appreciate it as well as others. The movie is the least action packed of the trilogy, and the book is even less action packed. The final battle scene in the film version is actually taken from the beginning of The Two Towers. Nonetheless, the book is propelled by the storytelling, the myths, the past, and the characters on their epic quest. It comes to life before you, perhaps even more so for those who have already seen the films. The book offers plenty for all readers: myth, adventure, dialog, plot, action, comedy, and the subtle lines that force (in a good way) one to meditate on the human condition and morality. It is worthy of its popularity, and I encourage you to give it a try, even if you find it slow going at first.

JCM
19 February 2014

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