Saturday, December 29, 2012

Review: C.S. Lewis's "Out of the Silent Planet"



         One of the greatest things about kindles and other electronic readers is their ability to make books cheaper. Older books, in particular, ones that have seen better days in regards to a wide reading public can still find themselves placed before new generations of readers looking for inspiration from famous authors.
          I picked up a copy of C.S. Lewis’s Out of the Silent Planet, for under two dollars, on my kindle. I was looking for a quick, inexpensive read just before Christmas, and the only previously read book on my shelf that I look forward to reading in the near future is Robert Penn Warren’s rather large novel All the King’s Men. I was drawn to Lewis, in particular, I suppose, because I had just been to see the Hobbit: An Unexpected Journey (a movie that does not live up to its sequel series’ adaptation to film, nor to the book itself, for that matter). The movie had me thinking about Tolkien and his close friend Lewis, a fellow Inkling. While I had explored most of Tolkien’s writings about Middle Earth, I had only read a slim margin of Lewis’s most popular books; I had only read his Chronicles of Narnia. After consulting with a friend about which of Lewis’s books I should engage next, I decided upon Out of the Silent Planet, the first book in the Space Trilogy.
          The pithy tale begins with Cambridge philologist Dr. Elwin Ransom, while he is on a walking tour of the English countryside between Cambridge terms, stumbling upon the estate and work of an old schoolmate, and current entrepreneur, Mr. Devine and his companion, a scientist named Professor Weston. Devine and Weston lure Ransom into their country house, under the pretext of offering hospitality, but then they drug him and take him aboard their spaceship. During their journey, Ransom is unable to ascertain to which planet they are going, but he is able to distract himself from his situation by reveling in the allure of space, which is brighter than he ever imagined it could be. Then, before landing, Ransom discovers that Weston and Devine plan to turn him over to the sorns, who, they suppose, want a human for some sort of sacrifice. Ransom begins plotting his escape, and after landing and seeing the sorns, which turn out to be extremely tall, humanoid creatures, and the shark-like hnakra, he flees.
          Ransom soon encounters another of the planet’s native creatures, the seal-like hross, Hyoi. Hyoi introduces Ransom to the other hrossa, sentient beings known for their culture and poetry. Ransom’s skills as a philologist enable him to learn the hrossa’s language. From the hrossa, Ransom learns that the planet, which he later discovers is Mars, is called Malacandra by its inhabitants, and that it supports three races of sentient beings that live in harmony with each other: the hrossa, sorns, and pfifltrigg. He also learns of the phantom-like eldil, who bear messages from the god-like, Oyarsa. The hrossa encourage Ransom to travel to Oyarsa, but he refuses, remembering that the sorns were going to take him to Oyarsa; he fears that Oyarsa will kill him. Ransom becomes respected among the hrossa, and he joins them in a hunt to kill the hnakra, which threatens the hrossa’s peaceful way of life. Along with Hyoi and another hross, Whin, Ransom kills the hnakra, but only after an eldil appears to him, telling him to go to Oyarsa. Immediately after killing the hnakra, Hyoi is shot and killed by Weston and Devine. Whin tells Ransom that Hyoi’s death is the consequence of disobeying the eldil, and Ransom departs to find Oyarsa.
          During his journey to Oyarsa, Ransom meets Augray, a sorn, and learns that the séroni do not wish to sacrifice him. His fear of the séroni was based on a prejudice that all alien life-forms are brutal savages. He learns, instead that, while the hrossa are the planet’s poets, the séroni are its intellectuals, and the pfifltriggs are its artists, miners, metal- and stone- workers.
          Ransom’s meeting with Oyarsa is marked by the appearance of Weston and Devine, who have been captured by the hrossa. Weston declares his belief in man’s superiority to the creatures of Malacandra, and reveals his plans to perpetuate the human race through constant planet-hopping. Devine is merely interested in the planet’s stores of gold, which he would use to make himself rich. Oyarsa determines that Weston, at least, loves his fellow creatures, even if he is unable to understand how to love all hnau (intelligent life-forms), whereas Devine is only selfish and greedy. He determines to allow the three humans to return to Earth, but only after warning Ransom to keep the other two men in check, and revealing to Ransom that the Earth, which is called Thulcandra, is the silent planet, because its Oyarsa rebelled against the spirit of the universe, Maleldil. Thulcandra’s Oyarsa was contained, but he contaminates his planet’s hnau. Oyarsa tells Ransom that things may soon change, and the silent planet may soon be able to rejoin the other planets in accordance with the will of Maleldil.
          Lewis presents his tale against the backdrop of a yet undiscovered universe. He creates the universe from his imagination, reflecting on the way light could work in space, and different forces of gravity could create different landscapes and creatures. (Everything on Malacandra is taller and thinner than its counterpart on earth). After the advent of the space race, and our current knowledge of the landscape of space, Lewis’s vision can seem comic and outdated, but no more so than Vernes’s visions of the deep sea, or Wells’s aliens should. Lewis’s universe is as complex, though perhaps not as vivid, as Tolkien’s Middle Earth, and it is equally a product of a creative mind.
          The book is also unapologetically, and at times heavy-handedly, allegorical. In it, Lewis creates a vision of mankind from an outside perspective. Mankind is a “bent,” to borrow the hross phrase, bunch. Nonetheless, mankind is not irredeemable; Oyarsa points out that Ransom is not a bent man, though, throughout the tale, Ransom often gives in to prejudice. Oyarsa also alludes to better times to come, times when mankind will join all other hnau in proper duty to Maleldil. Men will be redeemed.
          The narrative is straight-forward, and not extremely complex; it is an enjoyable tale, and a rather quick read, but not one that I would recommend unless you have an interest in Lewis, or particularly enjoy allegorical fiction. The text certainly caters to aficionados. I am inclined to read the other two books in the trilogy, but I have no pressing desire to start on them. The book served as a good filler between more interesting novels, and I enjoyed its rendition of a pre-space race universe. If you are interested in Lewis, I would suggest reading the Chronicles of Narnia saga first.

JCM
28 December 2012

No comments:

Post a Comment